Live Streaming Regional Emmy Award Gala from Multiple Locations Using TVU Increases Viewership and Member Participation For the past five years, video production company, Denver Media Center (DMC) has produced live coverage of the Heartland Emmy Award presentations, including pre-show edits and live direction. The Heartland Chapter of the National Academy of Television Arts & Sciences (NATAS) incorporates television markets that make up a large swatch of the expansive western U.S - Colorado, Nebraska, Kansas, Oklahoma and Wyoming. To make new shows more dynamic and reach out to its Oklahoma base, DMC wanted the live event to reflect the dual-location nature of the gala with real-time live feeds from each location. ...Read More »
The Making of VR/360 "Expedition Antarctica" Neotopy includes storytellers, filmmakers and sound engineers who specialize in immersive VR/360 cinematic experiences. Their skills and talents make one of their most recent projects, "Expedition Antarctica", a breathtaking VR/360 experience of the nature and wildlife of Antarctica. Alexandre Regeffe recently discussed the development of the VR project and how Neotopy managed the VR/360 post-production process. ...Read More »
SCRATCH VR By Stephen Schleicher Have you participated in The Void experience at the Disney locations in California and Florida? My friends have been talking non-stop about it for weeks, and it seems people are finally catching on to how immersive an experience VR can be. If you have a 360-degree camera rig, we are at the point now where what was once a neat little gimmick has become a serious contender in the quest to capture viewers. While there are applications that are just starting to introduce the ability to work with 360-degree video, Scratch VR from Assimilate just may be the best application for your next (or first) project. ...Read More »
Trick or Treat: Trick Digital Tackles Visual Effects for "Jeepers Creepers III" with Fusion Studio The chills continue in "Jeepers Creepers III," the latest film in the "Jeepers Creepers" franchise. The Creeper was first introduced to audiences in 2001 when it terrorized siblings Trish and Darry Jenner. It then returned to the big screen in 2003 when it attacked a school bus full of high school basketball players and cheerleaders. Now in the third installment, "Jeepers Creepers III" shows what happened in the days between the first two movies when the Creeper was still hunting for victims. Adam Clark of Trick Digital was the film's visual effects (VFX) supervisor who was tasked with bringing the Creeper to life in the new film. ...Read More »
Road to Olympics By Miles Weston This is the third in the series of documenting the U.S. Olympic Trials covering figure skating competition. Follow your favorites at this year's XXIII Olympic Winter Games. ...Read More »
Alpine Skiing By Miles Weston This is the second in the series of documenting the U.S. Olympic Trials covering figure skating and media day. Follow your favorites at this year's XXIII Olympic Winter Games. ...Read More »
Content Insider #557 - Fresh Start By Miles Weston Sundance was "different" this year. The #MeToo ground rules took center stage this year with some good projects where females and minorities found their voice. There were some great leading edge/edgy projects to view. There was a solid set of VR (virtual reality) offerings that showed the technology is finding its way and its place in personal and group immersive entertainment. It's found its way and is moving to become commercially viable, not just another cute oddity. There was a whole lot of angst as to how aggressive the distributors were going to be with their checkbooks. Not a lot of them wrote big checks in the past and they said it was because the excitement quality wasn't there. They're hungry for the hits but they have to be the safe hits. ...Read More »
Take a VR / 3D Tour of Vogue Super Model Closets ROGUE, a creative boutique in NYC (www.postgonerogue.com), specializes in high-end production and post-production for film, advertising, and digital. Since its founding two years ago, Executive Creative Director, Alex MacLean and his team have produced a large body of work demonstrating their expertise in Color Grading, Finishing and Visual Effects with clients like HBO, Vogue, Google, Vice, Fader, and many more. For the past three years MacLean has also been at the forefront of VR/360 content for narratives and advertising, and understands the challenges and rewards of post artists working in VR. ...Read More »
Z CAM & ASSIMILATE Announce Integrated S1 VR Camera and SCRATCH VR Z Bundle for Professionals, Now at $3999 The Z CAM S1/SCRATCH VR Z Bundle - from image acquisition with Z CAM's S1 Professional VR Camera, and stitching with its WonderStitch software, through to a streamlined VR post-production workflow with ASSIMILATE's real-time SCRATCH VR Z tools. With this ease of use and increased productivity, content creators benefit with the ability to focus on their creativity and storytelling rather than wrangling the complexities of technology. ...Read More »
Filmmaker Cole Claassen Capture the History of Country Music Through the Songs of Singer and Songwriter Dean Dillon How does a chance encounter bring about an on-the-spot decision to make a feature-length documentary? For Cole Claassen it all started with country music. "We wanted to shoot in 4K and had heard so much about the URSA Mini 4.6K," noted Claassen. "Its size was very convenient to our run-and-gun, fast setup format that we were basically regulated to by the celebrity interviewees who were very busy and kind enough to give us the time they did. We needed to be fast when interviewing the artists, and the URSA Mini 4.6K was a great choice for the job." ...Read More »
The Rise of the Approachable Expert With the exponential growth of video, voice over and audio have become increasingly important aspects of production. Formerly limited to radio and TV spots, today voice is an integral part of productions of all kinds and formats - from a 15 second YouTube ad, to the audio instructions for e-learning platforms, to the characters behind video games and even the voices behind new AI assistants. But as voice has become more integrated into daily life, there has been a movement toward a more customized, personable tone - more closely resembling a knowledgeable friend than that of a professor. ...Read More »
Content Insider #553 - New TV By Miles Weston People are finding OTT viewing can really be liberating. Any subject, any time, anywhere, on any device is yours to consume, enjoy. Of course there may be some streaming issues but that's not your problem...until it is. 4K HDR content needs a lot of bandwidth and 5G wireless is still in the promise phase. Everyone in the M&E and communications industries can see the money-making opportunities that are out there because people just can't get enough. Of course there are still "a few" details to be worked out but it's going to be great! Honest. ...Read More »
360 Production By Miles Weston In addition to a strong roster of mainstream streaming entertainment, Hulu is also looking around the corner to meet the consumer's almost insatiable appetite for new, great, different content. They recently released Curious Minds in 360 degree viewing featuring Domonic Monaghan perhaps best known for his role in The Lord of the Rings and other feature films. Cream VR's Andrew MacDonald gives you a behind the scenes look at the show's production with a hint as to where 360/VR will take us in the near future. It's an exciting read and even more exciting to immerse yourself in. ...Read More »
Content Insider #550 - Content and the Pipe By Miles Weston Everyone wants video content and no one more than the people who make a living streaming the stuff to your device - TV, computer, tablet, smartphone. How big a deal is it? Disney thinks content and access to your device is worth about $52B plus outta the chute. All the service providers think it's worth more, lot more minute after minute so they're beefing up their capacity, bandwidth and toll roads. Depending on where you live it can be free, costly, restricted, censored, blocked. It has opened the door for a lot of creative filmmakers if we can only keep the pipes wide open and the video flowing. ...Read More »
Content Insider #549 - Show Me By Miles Weston We like the most recent news that folks like Google, YouTube and Facebook are adding people to help their systems choose good and bad content. Too many people are putting unwavering faith in the technology that is supposed to make their job easier and their decisions easier. Somehow that doesn't really work for the video content we develop, distribute and view. Too many variables are involved including things like "this is what I feel like right now, right here." Even a couch potato has something going on in his/her mind - even at the subconscious level - or they'd forget to breath. The new standards that are being rolled out will make content even richer, better, more intense but it will still require people who know how to produce great content and who appreciate it. Otherwise it will be a real waste. ...Read More »
Creating 360 Video When people thing of VR (virtual reality) or AR (augmented reality) most think of it placing you inside an interactive synthetic world (VR) or an enhanced interactive version of the real world (AR). But the most common form of this technology is 360 video. ...Read More »
ROGUE NYC Specializes in VR Production And Post Using SCRATCH VR ROGUE, a creative boutique in NYC (www.postgonerogue.com), specializes in high-end production and post production for film, advertising, and digital. Since its founding two years ago, Executive Creative Director, Alex Maclean has produced a large body of work that demonstrates his color grading and finishing expertise in branding content for clients like HBO, Vogue, Google, Vice, Fader, and many more. For the past three years MacLean has also been at the forefront of VR/360 content for narratives and advertising. In a recent interview MacLean discussed the challenges and rewards of working in VR. ...Read More »
Karen Allen Brings "A Tree. A Rock. A Cloud." To Life Known for her roles in front of the camera in "Raiders of the Lost Ark," "Animal House," "Scrooged" and more, Karen Allen recently took on a new role: the director of "A Tree. A Rock. A Cloud." Adapted from the Carson McCullers tale, the new short film focuses on the story of a young boy and an old man that meet by chance at a roadside cafe and discuss lost love. ...Read More »
Content Insider #548 - Sharing Storytelling By Miles Weston VR is a video storytelling technique some scoff at it, laugh at it; while others are cautiously optimistic; and then there is the growing group of filmmakers who are professionally intrigued, push the envelope, make fantastic immersive films. There is plenty of outstanding 4K content being shot and delivered. Probably always will be but great VR is different. It not only lets the viewer in the story, it lets you control, explore, be an active part of the story. The SMPTE crowd were hungry to learn more about how the M&E industry can continue to tell the best stories, the best way even when they have to turn the story over to the viewer. In the final analysis great stories come from great filmmakers. ...Read More »
OWC President, Jen Soule, Recognized at 14th Annual Stevie Awards for Women In Business Other World Computing (OWC(r)), a leading zero emissions Mac and PC technology company, announced today that company President Jen SoulĂ© has received a Silver Stevie Award for the category Female Executive of the Year - Consumer Products - 11 to 2,500 Employees at the 14th annual Stevie(r) Awards for Women in Business. ...Read More »
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