Colorista II By Kevin McAuliffe
When it comes to a program like After Effects, competing with Color Finesse 3 (that comes with AE CS5) can be tricky, but if there is one company out there determined to do it, it's Red Giant Software and their flagship color correction application Colorista.
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NAB 2010: What Cameras were HOT? By Charlie Wade
Missed NAB 2010 this year? Lots of people did but I know you still want to know what was hot. For you who live for camcorder technology, here are six of the hottest cameras (or camera announcements in some cases) at NAB 2010.
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Apple's Color 1.5 By Kevin McAuliffe
As everyone knows, the inclusion of FinalTouch (renamed Color by Apple) into Final Cut Studio 2 was shocking. A few months before Apple announced it, I looked at purchasing FinalTouch as a separate, stand alone application for a post facility I was working for.
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First Look: Panasonic AG HMC150 AVCCAM camcorder By John Virata
Back in 2005, my aunt asked me to videotape her wedding. Now I am not a professional videographer, but rather, over the years I've enjoyed shooting video with all types of cameras, be it via my digital camera, my Flip video camera, to a variety of miniDV cameras. So I agreed to tape her wedding.
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Canon 5D MkII DSLR By Robert Jensen
In case you haven't heard the news - a few months ago Canon introduced its new 5D Mark II digital SLR camera and it hit the market like the proverbial 600 pound gorilla. Everyone, and I mean everyone, sat up and took notice when they heard the specs. It wasn't just the 21 megapixel sensor it was packing that had everyone drooling at the mouth to get their hands on the camera.
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Lenovo W700ds mobile workstation By John Virata
Lenovo has long been known for innovative notebook computers harking back to the days when it (IBM) came out with the ThinkPad notebook computer. This machine served notice that it was at the top of the heap when it came to design and functionality. The current crop of ThinkPad workstations maintain that innovation as well as some features that could be called obscure, such as the one with the W700ds that I'm reviewing here.
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G-Technology's G-Drive mini SSD 120GB By John Virata
When I first reviewed an 8MB flash based USB thumb drive from M-Systems and IBM back in 2001, I was astounded at its durability. I dropped the device, went surf fishing with it and got it wet, and basically abused it until the plastic casing came off and all that was left was the memory module and the USB arm. It still works today, but at 8MB, it has since been replaced by several drives at varying capacities.
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Cineform Neo4k for the Mac part 2 By Mike Jones
The second part of Cineform Neo4k and NeoHD is what's known as ReMaster; a software utility for batch-process transcoding of media files into the various Cineform formats. But along with batch-processing, ReMaster also provides a variety of functions that extend beyond just encoding into the Cineform wavelet codec. ReMaster has tools for resizing files on encode so it becomes a perfect tool for HD online intermediate workflows from 2k or 4k acquisition sources.
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Cineform Neo4K for the Mac part 1 By Mike Jones
After an established history of developing lossless compression technology predominantly for the Windows platform - and particular Adobe's Premiere Pro NLE - Cineform has at last brought its lossless intermediate, high performance codec system to the Mac.
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The Sony HDR-CX100 By Douglas Spotted Eagle
AVCHD has exploded on the consumer and pro-sumer scene like a new star at the Oscars, and the CX100 is the newest "actor" in the AVCHD lineup from Sony.
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The solid-state missing link: Sony's XDCAMEX Browser 2.0 By Mike Jones
Once you've had the joys of solid state shooting and production, with formats such as P2 and XDCAMEX, its hard to imagine ever going back to tape. This is not to say that solid state doesn't come without its drawbacks: no shelfable master, re-wrapping processes, short record times are all tangible workflow concerns. But the advantages -- speed, efficiency, on-set clip review - for the most part outweigh the drawbacks.
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Roxio Toast 10 Titanium By Kevin Schmitt
In what has become something of a Macworld tradition, Roxio once again used the annual gathering of Apple faithful as the backdrop for the unveiling of version 10 of its stalwart Toast Titanium media management product. As in past years, more features have been added and the upgrade price is still terrible, but this year there's a new wrinkle. Let's dive in to see what's changed this time around.
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HP EliteBook 8730W By John Virata
Hewlett Packard has been known for years for its solid workstations. The company has been an innovator when it comes to content creation machines, even supplying its own designed graphics adapters in the late 1990s to power its visual systems. When the company decides to enter the market, it does so with a lot of thought, offering systems that are unique from what is currently available from its competitors, yet still remaining price competitive. The company's latest mobile offering is such a system.
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Why You Need Magic Bullet Looks By Kevin McAuliffe
If you've been checking out the DMN website over the last couple of weeks, you would probably know that Mike Jones did a great series of articles on do-it-yourself color grading. Keeping on that idea, for me, there is only one plug-in (program) I use when I want to do any of my color grading work, and that's Magic Bullet's Looks. Looks is a powerful, fast and more importantly, simple plug-in to use. For this article, I'm going to give you four great reasons why you need to add this plug-in to your arsenal.
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Sony PMW-EX1 Training DVD Reviews: VASST and Call Box By Heath McKnight
Two new excellent training DVDs from VASST and Call Box have come out covering all aspects of the amazing Sony PMW-EX1 professional XDCAM EX HD camera. Both are great, but each has a unique aspect to it.
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Avid Media Composer 3.0 By Kevin McAuliffe
Nothing gets me more excited than sitting down in front of a new editing application, or one that has recently been updated. As I have said in previous articles, no one makes a better editing application than Avid, and it is back with its new line of post production products, and leading the way is Media Composer version 3.0. Why should everyone care about this? Keep reading, and you'll find out!
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Lenovo D10 ThinkStation workstation By John Virata
The Lenovo D10 is the big brother to the ThinkStation S10, and as such sports dual Intel XEON CPUs for a combined four processor cores, 12MB L2 cache and a 1333MHz front side bus. Housed in a tower configuration, the D10 system is wider than the S10, and can accommodate more internal drive space, with support for five 3.5-inch hard drives as opposed to three for the S10, two PCIe x4 slots, two PCI X slots, and a single PCI slot.
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Apple's 2.8Ghz dual Intel Xeon Quad-Core Mac Pro By Heath McKnight
Apple's 2.8Ghz dual Intel Xeon Quad-Core (8-cores total!) Mac Pro is one of Apple's fastest computers yet. With the capability to run with 32GB RAM, an excellent graphics card (or two), and terabytes of storage, no job is too big for this beast to handle.
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Celtx 1.0 and the reshaping of creative software culture Part 2 By Mike Jones
Creating a highly competent and complex piece of software is not difficult; creating one that is highly competent and complex and yet is accessible and fluid to use is the challenge. And truly this is where Celtx shines. For all its relational database foundations, its depth of annotation and markup, and its diverse array of forms and features that are unrivalled by any other system of its kind on the market, Celtx is a software tool that delivers to the creative producer a very large degree of transparency.
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NO...Doesn't have a thing to do with "that" smartphone...or "that" store...or "that" tablet. It's the next generation. Kids and we mean little kids. That's what today's products are being designed for/targeted at. You happen to buy one...fine. Watch a little, little kid pick up a smartphone. He/she just uses it. They've come pre-wired and we're still trying to figure out how to IM. It's the IGen. They want it instantly. They want to use it instantly. They expect their photos, their video, their music, their stuff immediately when/where/how they want it.
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In this clip, lynda.com host Mark Abdelnour takes a look at proxy bidding. He discusses the strategy and how it works. He also discusses the maximum bid, and when to use Proxy bidding.
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The blood, gore, adrenalin challenges that were unveiled at E3 and enjoyed at ComicCon are fun to look at, easy to hold but are they really the games people want to plunk down their credit cards to own or rent time with? Seems as though the investors, the players who control the controllers have a different idea of a "good" game than the kids who develop them. While mobs of people play educational, informational, stimulating games our kid huddles in his room and mumbles "The Few, The Proud, The Gamers."
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